Thursday, 19 November 2020
Milan 6pm / London 5pm / NYC 12 noon / Los Angeles 9am / Shanghai 1am (Friday)
Live on Zoom
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How are contemporary photographers from Africa reimagining their continent and its people? In this masterclass, writer and curator Ekow Eshun explores the work of a new wave of African photographers who are capturing the experience of what it means, and how it feels, to live in Africa today, in the process revealing the continent as a psychological space as much as a geographical territory.
As a medium, photography has played a significant role in shaping Western views of Africa. Ethnographic-style imagery of the colonial period presented Africans as the primitive denizens of a dark continent. Modern news reports still often portray the continent as a place of corruption and disease. But today an emergent generation of photographers is looking both outward and inward: capturing life among the sprawling cities and multitudinous conurbations of the continent, turning the legacy of the continent’s history into the source of resonant new myths and dreamscapes, and exploring questions of gender, sexuality and identity. Eshun will trace the evolution of photography in Africa through the work of early 20th-century pioneers, modern masters like Malick Sidibe and Samuel Fosso and leading contemporary figures including Zanele Muholi, Hassan Hajjaj, Omar Victor Diop, Andrew Esiebo and Kiluanji Kia Henda.
Ekow Eshun is a writer and curator. He is Chairman of the Fourth Plinth Commissioning Group, overseeing the most prestigious public art programme in the UK, and the former Director of the ICA, London. He is the author of Africa State of Mind: Contemporary Photography Reimagines a Continent (Thames & Hudson) and Black Gold of the Sun (Penguin), which was nominated for the Orwell Prize.
He has contributed to several books including Masculinities: Liberation Through Photography (Barbican); Linda McCartney: The Polaroid Diaries (Taschen), Between Worlds (National Portrait Gallery); Seen: Black Style UK (Booth Clibborn), as well as monographs on the work of Chris Ofili, Kehinde Wiley, John Akomfrah and Duro Olowu. Eshun’s writing has appeared in publications including the New York Times, Financial Times, The Guardian, The Observer, Granta, Esquire, GQ Style, Aperture, Wired and L’uomo Vogue. He is the recipient of an honorary doctorate from London Metropolitan University. His recent exhibitions as a curator include Masculinities: Liberation Through Photography (Barbican) as adjunct curator; Africa State of Mind (NAE, Nottingham; MOAD SF); Made You Look: Dandyism and Black Masculinity (The Photographer’s Gallery, London); Hassan Hajjaj: The Path (Arnolfini, Bristol); and Kaleidoscope: Immigration and Modern Britain (Somerset House, London).