









Exhibition Curated by Adam Broomberg and Oliver Chanarin
1. De Facto: A history of Dutch Photography 2009, 35mm slides, courtesy the artist
2. Susan Lipski, Self portrait of the gangster Bonnie Parker as a Jewish artist, 1985
3. Thank you New York, Empire, 2009, Courtesy the artist
4. De Facto: A history of Dutch Photography 2009, 35mm slides, courtesy the artist
5. A.K.A. 2008/9 Well and Truly, Kunsthaus Bregnez 2010 (installation view) Photoraph Stefan Altenburger, courtesy of the artist
6. Die antwoord, 2007, courtesy of the artist
7. homocrap #1, 2005, installation view, MOCA, Los Angeles, photo Josh White
8. The belgian marbles, 2009, sutton lane gallery, london (installation view)
9. Slater Bradley and Ed Lachman , Exposure Checks: River, 1993/2010(film poster, Whitney Museum) courtesy Max Wigram Gallery
10. Somebody Else 2 , 1988/2006, courtesy of the artist and Raster Gallery
www.photomonth.com / www.choppedliver.info












Dora Fobert, b. 1925, Warsaw, daughter of family of studio photographers. Warsaw Ghetto, 1940–42, assisted Jakub Boim, official ghetto photographer. August 1942. Began her own series of portraits of women in the ghetto. Deported to Treblinka, August 1942. d. January 1943.These photographs were saved by Adela K., a survivor of the Warsaw Ghetto. They were taken in a studio in the ghetto on Chlodna Street in June 1942. Because of the limited supply of photographic chemicals, they were never properly fixed and remain unstable under natural light. For this reason they are displayed behind red glass. Dora Fobert was Adela’s best friend.
Commission for ALIAS / KRAKÓW PHOTOMONTH 2011, Curated by Adam Broomberg & Oliver Chanarin
www.photomonth.com / www.choppedliver.info

The Lover, b. 1971. He was a beachcomber, a mandala-maker, a sand architect, a sculptor. He was forty years old, or he could have been seventy. The donkey was five years old, or he could have been sixteen. They had been with each other so long that the man felt that something had developed between them – a kinship – or it could have been love. To mark his love for his pet, he drew pictures of the donkey on his wall, and created a donkey shrine on the outside of his house.
Commission for ALIAS / KRAKÓW PHOTOMONTH 2011, Curated by Adam Broomberg & Oliver Chanarin
www.photomonth.com / www.choppedliver.info